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Contemporary paintings are an exquisite style of paintings. Contemporary art paintings are the true representatives of the modern art. Contemporary artists are creating the contemporary oil paintings of the high quality. A great number of contemporary oil paintings are available in the contemporary art gallery. Contemporary art is of great artistic importance. Contemporary abstract paintings make the most of contemporary art. Still life Contemporary paintings are also very much appreciated.

There are many museums of modern paintings all over the world. The modern paintings of the modern artists are exhibited in these museums. These museums of modern art have been successful in flourishing the contemporary art. Modern artists exhibit their modern paintings creations in the museum of contemporary art. Museum of modern art New york, Contemporary art museum Houston, museum of modern art paris, art museum of Fort worth are the famous museums of contemporary art. Contemporary art work can be seen in these modern art museums.These museums exhibit the popular contemporary paintings of the famous modern artists.

Modern Abstract Art

1. There are great number of painters of modern life.
2. They have created the modern abstract art on modern themes.
3. Modern artists paint colours in an artistic way.
4. Their contemporary oil paintings are pure form of fine arts.
5. History of modern art is full of great contemporary paintings from famous modern artists.
6. 19th century paintings and 20th century paintings are worth seeing.
7. Modern art movements have been in progress in recent times.
8. There are many contemporary art centers.
9. Contemporary art center Cincinnati and Contemporary art center of Virginia are the famous modern art center.
10. St.Louis contemporary art has been very much appreciated. Contemporary Christian artists

Modern art is also available for sale. Modern and contemporary art can be purchased from the modern art gallery. These contemporary art galleries offer the Original modern paintings of the famous contemporary artist. The reproductions of the famous contemporary paintings can also be purchased from these modern art galleries. These galleries also offer cheap price modern oil paintings.

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While the world pays respectful tribute to Rembrandt Van Ryn the artist, it has been compelled to wait until comparatively recent years for some small measure of reliable information concerning Rembrandt Van Ryn the man. Rembrandt Van Ryn was born in the pleasant city of Leyden, but it is not easy to name the precise year. Somewhere between 1604 and 1607 he started his troubled journey through life, and of his childhood the records are scanty. Doubtless, his youthful imagination was stirred by the sights of the city, the barges moving slowly along the canals, the windmills that were never at rest, the changing chiaroscuro of the flooded, dyke-seamed land. Perhaps he saw these things with the large eye of the artist, for he could not have turned to any point of the compass without finding a picture lying ready for treatment.

His family soon knew that he had the makings of an artist and, in 1620, when he could hardly have been more than sixteen, and may have been considerably less, he left Leyden University for the studio of a second-rate painter called Jan van Swanenburch. We have no authentic record of his progress in the studio, but it must have been rapid. He must have made friends, painted pictures, and attracted attention. At the end of three years he went to Lastmans studio in Amsterdam, returning thence to Leyden, where he took Gerard Dou as a pupil. A several years later, it is not easy to settle these dates on a satisfactory basis, he went to Amsterdam, and established himself there, because the Dutch capital was very wealthy and held many patrons of the arts, in spite of the seemingly endless war that Holland was waging with Spain.

His art remained true and sincere, he declined to make the smallest concession to what silly sitters called their taste, but he did not really know what to do with the money and commissions that flowed in upon him so freely. The best use he made of changing circumstances was to become engaged to Saskia van Uylenborch, the cousin of his great friend Hendrick van Uylenborch, the art dealer of Amsterdam. Saskia, who was destined to live for centuries, through the genius of her husband, seems to have been born in 1612, and to have become engaged to Rembrandt Van Ryn when she was twenty. The engagement followed very closely upon the patronage of Rembrandt Van Ryn by Prince Frederic Henry, the Stadtholder, who instructed the artist to paint three pictures.

1. Saskia is enshrined in many pictures.
2. She is seen first as a young girl, then as a woman.
3. As a bride, in the picture now at Dresden, she sits upon her husbands knee, while he raises a big glass with his outstretched arm.
4. Her expression here is rather shy, as if she deprecated the situation and realised that it might be misconstrued.
5. This picture gave offence to Rembrandt Van Ryns critics, but some portraits of Saskia remained to be painted.
6. She would seem to have aged rapidly, for after marriage her days were not long in the land.
7. She was only thirty when she died, and looked much older.

In 1638 we find Rembrandt Van Ryn taking an action against one Albert van Loo, who had dared to call Saskia extravagant. It was, of course, still more extravagant of Rembrandt Van Ryn to waste his money on lawyers on account of a case he could not hope to win, but this thought does not seem to have troubled him. He did not reflect that it would set the gossips talking more cruelly than ever. Still full of enthusiasm for life and art, he was equally full of affection for Saskia, whose hope of raising children seemed doomed to disappointment, for in addition to losing the little Rombertus, two daughters, each named Cornelia, had died soon after birth. In 1640 Rembrandt Van Ryns mother died. Her picture remains on record with that of her husband, painted ten years before, and even the biographers of the artist do not suggest that Rembrandt Van Ryn was anything but a good son. A year later the well-beloved Saskia gave birth to the one child who survived the early years, the boy Titus. Then her health failed, and in 1642 she died, after eight years of married life that would seem to have been happy. In this year Rembrandt Van Ryn painted the famous “Night Watch,” a picture representing the company of Francis Banning Cocq, and incidentally a day scene in spite of its popular name. The work succeeded in arousing a storm of indignation, for every sitter wanted to have equal prominence in the canvas.

It may be said that after Saskias death, and the exhibition of this fine work, Rembrandt Van Ryns pleasant years came to an end. He was then somewhere between thirty-six and thirty-eight years old, he had made his mark, and enjoyed a very large measure of recognition, but henceforward, his career was destined to be a very troubled one, full of disappointment, pain, and care. Perhaps it would have been no bad thing for him if he could have gone with Saskia into the outer darkness. The world would have been poorer, but the man himself would have been spared many years that may be even the devoted labours of his studio could not redeem.

Between 1642, when Saskia died, and 1649, it is not easy to follow the progress of his life; we can only state with certainty that his difficulties increased almost as quickly as his work ripened. His connection with Hendrickje Stoffels would seem to have started about 1649, and this woman with whom he lived until her death some thirteen years later, has been abused by many biographers because she was the painters mistress.

He has left to the world some 500 or 600 pictures that are admitted to be genuine, together with the etchings and drawings to which reference has been made. He is to be seen in many galleries in the Old World and the New, for he painted his own portrait more than a score of times. So Rembrandt Van Ryn has been raised in our days to the pinnacle of fame which is his by right; the festival of his tercentenary was acknowledged by the whole civilised world as the natural utterance of joy and pride of our small country in being able to count among its children the great Rembrandt Van Ryn.

In 2006 the Turner Prize gained its first ever female winner. The artist who achieved this feat hails from Germany and is called is Tomma Abts. In order to carry off the Turner Prize – in the final, Tomma had to overcome three notable artists .

In no particular order of importance these were – sculptress Rebecca Warren who was the fancied hot favourite with many bookies, “billboard artist” Mark Titchner – and finally film maker Phil Collins…(No not him of Genesis fame!).

When the judges cast their votes however it was Tomma Abts who came out on top. She won twenty five thousand british pounds and of course the Turner Prize itself. I am sure the money will come in handy – however its the exposure that Tomma will get from winning thats the really important thing here.

What does Tomma Abts do? Well she actually paints abstract art; usually in oils or acrylics. – something of a novelty for the Turner Prize – some would say! Tomma Abts was originally selected for her solo art exhibitions at Kunsthalle Basel, Switzerland, and Greengrassi, London.

1. Tomma Abts has been praised by no less than the Tate Gallery who describes her canvases as “intimate” and “compelling” .
2. They also comment on Tommas “consistent” and even “rigorous” method of painting.
3. In addition the Tate states that Tomma Abts “enriches the language of abstract art” .
4. With such praise heaped upon her head its no surprise to me that she won the prize.
5. However I actually feel that Tommas abstract artwork isnt “knock out” but it definitely is OK.

The images or paintings of Tomma Abts are created by the repetiton of various geometrical shapes on a base of rich colour. Personally – I dont think that Tommas approach to painting is particularly original. However I have to admit that while not being “knock out” I find some of Tommas images pretty compelling and touching. I have to say that this does surprise me.

48 x 38 cms – exactly. These are the dimensions of every Tomma Abts painting. Im not sure quite why Tomma selected these dimensions. Obviously she finds them appealing and I suppose they make for a very compact painting.

When creating titles for her paintings apparently Tomma simply plucks one from a dictionary of German first names! Titles like “Veeke” for example were created in this way. In my view this is surely only slightly more interesting than numbering each picture!

All in all I think that Tomma Abts creates abstract art that is pretty accessible to the public at large. This is something that perhaps could not be said about the artwork of previous Turner Prize winners! I base my opinion of course on Tommas prize winning paintings. I would go further and state that I cannot conceive of a Tomma Abts creation offending anyone – even slightly.

In the end its just my personal opinion but I do believe that its entirely posible that Tomma Abts will go on to become a household name – within her own lifetime…Of course she could also disappear without trace from the media – and our minds in the blink of an eye, for precisely the same reasons.